Posts tagged Movement
NYC IxDA / Tap is the New Click / Dan Saffer
Feb 22nd
NYC IxDA – Tap is the New Click – Dan Saffer from Interaction Design Association on Vimeo.
Even though the technology has been around for decades, only now are we starting to see mass production and adoption of touchscreen and gestural devices for the public. Jeff Han’s influential 2006 TED demonstration of his multitouch system, followed by the launches of Nintendo’s Wii, Apple’s iPhone, and Microsoft Surface, have announced a new era of interaction design, one where gestures in space and touches on a screen will be as prominent as pointing and clicking.
But how do you create products for this new paradigm? While most of us know how to design desktop and web applications, what do you need to know to design for interactive gestures?
This introduction to designing gestural interfaces will cover the basics: usability and ergonomics; a brief history of the technology; some elemental patterns of use; prototyping and documenting; and how to communicate that a gestural interface is present to users.
ABOUT DAN SAFFER
Dan Saffer is an experience design director for Adaptive Path. An international speaker and author, his writing on design has appeared in BusinessWeek and many online publications. His acclaimed book Designing for Interaction: Creating Smart Applications and Clever Devices has been called “a bookshelf must-have for anyone thinking of creating new designs” and has been translated into several languages. His new book on interactive gestures will be published by O’Reilly in October 2008.Dan is a member of the Industrial Designers Society of America (IDSA) and the Interaction Design Association (IxDA). He received his Master of Design in Interaction Design from Carnegie Mellon University.
The Third and the Seventh
Feb 1st
An example to add to our “language of movement” discussion:
The Third & The Seventh from Alex Roman on Vimeo.
A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces. Sometimes in an abstract way. Sometimes surreal.
Credits:
CG
|Modelling – Texturing – Illumination – Rendering| Alex Roman
POST
|Postproduction & Editing| Alex Roman
MUSIC
Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)
Sound Design by Alex Roman
Based on original scores by:
.Michael Laurence Edward Nyman. (The Departure)
.Charles-Camille Saint-Saëns. (Le Carnaval des animaux)
Directed by Alex Roman
Done with 3dsmax, Vray, AfterEffects and Premiere.
Ashes and Snow
Feb 1st
An example presented during our “Language of Movement” discussion:
“In exploring the shared language and poetic sensibilities of all animals, I am working towards rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present.”
—Gregory Colbert, Creator of Ashes and Snow
Gregory Colbert’s Ashes and Snow is an ongoing project that weaves together photographic works, 35mm films, art installations and a novel in letters. With profound patience and an enduring commitment to the expressive and artistic nature of animals, he has captured extraordinary interactions between humans and animals.
His 21st-century bestiary includes totemic species from around the world. Since he began creating his singular work of Ashes and Snow in 1992, Colbert has undertaken photographic and filming expeditions to locations such as India, Egypt, Burma, Tonga, Sri Lanka, Namibia, Kenya, Antarctica, the Azores, and Borneo.
The show first opened at the Arsenale in Venice, Italy, in 2002. The Nomadic Museum, the travelling home of Ashes and Snow, debuted in New York (March to June 2005) and then travelled to Santa Monica (January to May 2006), Tokyo (March to June 2007) and Mexico City (January to April 2008), and is charted to travel the globe with no final destination.
The title Ashes and Snow refers to the literary component of the exhibition—a fictional account of a man who, over the course of a yearlong journey, composes 365 letters to his wife. The source of the title is revealed in the 365th letter. Colbert’s photographs and one-hour film loosely reference the traveller’s encounters and experiences described in the letters.
Colbert, who calls animals “nature’s living masterpieces,” chose to film animals in their native habitats in an effort to be true to each animal’s voice. The film can be viewed as a work of art as well as a poetic field study. The film was edited by two-time Oscar winner Pietro Scalia. It is narrated by Laurence Fishburne (English), Ken Watanabe (Japanese), and Enrique Rocha (Spanish). Musical collaborators include Michael Brook, David Darling, Heiner Goebbels, Lisa Gerrard, Lukas Foss, Nusrat Fateh Ali Khan, and Djivan Gasparyan.
The Ashes and Snow exhibition includes more than 50 large-scale photographic artworks, a one-hour film, and two short film “haikus”. None of the images have been digitally collaged or superimposed. They record what the artist himself saw through the lens of his camera. While Colbert uses both still and movie cameras, the images are not stills from the film.
The animal subjects of the photographs and films include interactions with both wild animals and also those that have been habituated to human contact.
These mixed media photographic works marry umber and sepia tones in a distinctive encaustic process on handmade Japanese paper. The artworks, each approximately seven feet by twelve feet, are mounted without explanatory text so as to encourage an open-ended interaction with the images.